Director: Andrey Khvostov.
A young boy named Charlie is in love with his girlfriend and does everything to please her. On her birthday he writes a love letter and picks a bouquet of red roses to surprise her at her window. Just before knocking the window to attract his beloved Mary he notices an 8 year old in the window next to hers. Having long awaited the opportunity to know her family and assuming the boy to be her brother he starts a conversation. In just about a minute his relationship is about to face an unexpected menace.
Following in the footsteps of the Australian
version of the Sexy International Film Festival (SIFF) Melbourne, The
Sexy International Paris Film Festival(SIPFF)(Association Loi 1901)
has been created as a uniquely francophone version of the festival, focusing on
strong Francophone content as part of its international program.
Already in its second year in
Australia the festival has already doubled in size and popularity due to its
themes which resonate with audiences.
The Sexy International Paris Film Festival's
(SIPFF)
goals are to discover, promote and screen the best independent films from
around the world that explore the themes of "Sexy" -sexuality, love, marriage,
divorce, lust, romance, seduction, relationships and the erotic.
The festival aims to enlighten, educate, create
discussion and debate, as well as allow audience interaction in relation to
various projects within SIPFF.
The festival follows a code of ethic, with the
festival being porn-free and smut-free. Films considered to be pornographic in
nature will not be screened at the festival.
There will be an audience vote to determine the
Sexiest Short and Sexiest feature of the festival as well as a jury to
determine the best short and best feature of the festival.
As well as the main festival in June 2010, SIPFF
will be presenting MiNi SiPFF, as part of the Zonerotikon Festival ("Zonerotikon
rien à voir avec le X / Cabarets de Cirqu'Conférences
pluridisciplinaires") at Cabaret Sauvage, a wonderful circus tent at Porte
de la Villette (Paris) with screenings throughout 2010.
Dans les traces de la version
australienne du festival de film international sexy (SIFF) - Melbourne, The
Sexy International Paris Film Festival (SIPFF) (Association Loi 1901) a été
créé en tant que version francophone du festival, dans le but de développer
tout particulièrement la partie francophone du programme de sa version
mondiale.
Déjà dans sa deuxième année en
Australie, le festival n'a pas attendu plus longtemps pour doubler en volume
ainsi qu'en popularité grâce à ses thèmes qui ont su séduire tous les publics.
Les objectifs du Festival
International du film Sexy de Paris (SIPFF) sont de découvrir, promouvoir et
projeter sur écran les meilleurs films indépendants provenant du monde entier
et qui explorent les thèmes dits « sexy » : la sexualité, l'amour, le mariage,
le divorce, la convoitise, la romance, la séduction, les rapports humains et
l'érotisme.
Le festival vise à éclairer,
instruire, créer discussions et débats tant que le permet l'interaction de
l'assistance par rapport à divers projets au sein du SIPFF.
Le festival adopte un code
d'éthique bien qu'il soit ouvert à beaucoup de films de type sexy ou quelques
peu pornographiques. Ainsi, les films considérés purement pornographiques ne seront ni sélectionnés ni projetés
lors du festival.
Il y aura un vote de la part
de l'assistance ainsi que de la part d'un jury pour déterminer le film et le
court métrage les plus sexy du festival.
En complément du festival principal programmé en
juin 2010, le SiPFF présentera un "MiNi SiPFF", en tant qu'élément du
festival de Zonerotikon (« Zonerotikon rien à voir avec le X / Cabarets de
Cirqu'Conférences pluridisciplinaires ») au Cabaret Sauvage, magnifique
Chapiteau de bois et de velours, serti de miroirs et de vitraux, Porte de la
Villette (Paris) avec des spectacles tout au long de l'année 2010.
Director: Charles Woods Gray.
A man alone by choice or circumstance, it appears he has chased all relations away, with the exception of the neighbor across the lane, he is only a little obsessed with her. He sees her but once and his voyeuristic expiditions begin.
Welcome to the 1st Annual Lady FIlmmakers Film Festival! Now accepting submissions. Our first event will be October 17th & 18th in Santa Monica, CA on prestigious Montana Avenue.
We are hosting the First Annual Lady Filmmakers Film Festival promoting short & feature movies made by ladies. Films selected are considered entertaining to broad audiences and showcase the commercial viability of Lady Filmmakers. The festival will honor a strong and influential celebrity actress or filmmaker for her achievements in the industry. A portion of the selected films will bring social awareness to issues facing today's women.
* Each Submission will get a film page with their trailer, movie web site, and filmmaker bios.
* We will have a hybrid selection process! The selection committee will review the movies & fans get to vote which movies they want to see! The committee will take into consideration which movies get the most votes!
* Films selected will be put into the following program categories; all prgrams followed by Filmmaker Q&A.
- LADIES FIRST- Films in this category must be premiering at the Lady Filmmakers Film Festival. Any genre.
- LADIES ILLUMINATE- Films that bring awareness to social issues that face women and families today. Any genre.
- LADIES KICK BUTT- Films that have an intrinsic entertainment value and/or portray strong female leads. Any genre
To submit, please go to: www.ladyfilmmakers.com
As in the images of the old classic paintings, a gypsy tribe trespasses the boundaries of a small farm, and a young girl's adolescent passions and dreams are brought to life when she encounters a captivating visitor on her veranda.
A passionate kiss on the doorstep turns terribly wrong as a couple's tender love ignites.
This experimental comedy delivers its message like a slap in the face. Its a scene that seems so familiar it unwinds like a deja vu... a flash forward and flash back to the beginning and the end of a love-hate romance.
I woke up this afternoon (yes, like a true writer I’d been burning the midnight oil) to the alarming sound of the phone ringing. Hollywood calling? Perhaps I should get up. Nah… Spielberg? He can leave a message. Celluloid dreams had imprisoned me. I’d gone to the pool and met this very handsome young swimmer. Or so I thought–
Ah the classic cinematic twist! Like those compulsory page turners on page 21, my dreams have more twists and turns than an episode of Road Runner on fast forwa...
